Monday, November 29, 2010

Be Heard: NaNo Check In

As I write this post, I'm a few thousand words behind on my NaNoWriMo project. I'm going to work my hardest right up until the deadline to get to 50,000 but it's going to be close.

Being that my brain is full up on words, words, words, I'm going to open the blog today to your check ins. If you're participating in NaNo this year, leave a comment to let me know how you're doing.

If I had a typewriter it might look like this right now.

Don't worry, this is a no shame zone. If you wrote a few thousand words and then gave up/got distracted/lost the will to live, still share. After all, NaNo is only a beginning. Not finishing isn't the end.

So... what's your NaNo status?

Hugs,
TLC

Friday, November 26, 2010

Eye Candy: Chapter Thirteen

(Missed some? Read chapter 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12.)


Q: What goes "tick-tick, woof-woof"?
A: A watch dog.
— Laffy Taffy Joke #115


"Miss Vanderwalk, this is—"

"Just tell me there are no tears involved, Howard," I pleaded over the sounds of raised male voices in the background. And for a second I thought I heard a yip.

"No, Miss," Howard assured me, "no tears."

"Heellooo, Lydia!" one of those male voices shouted into the phone.

I pressed a palm to my forehead, certain I was feverish in explanation of this hallucination. Hadn't I just sent Phelps home a few short hours ago? A quick glance at the kitchen clock confirmed my suspicion that it was after two.

Clearly I was not meant to sleep tonight.

"How many are there?"

"Two. The young man you returned with earlier and an older gentleman—"

"I am not old, I am distinguished!"

"—with white hair and an... unplaceable accent."

"My accent is Italian."

Even if he was not.

Howard did not respond to Ferrero's comments, remaining steadfastly professional.

When a sharp pinch to my thigh and counting to ten did not wake me from this nightmare, I relented. "Send them up."

No way I was fetching those two. Whatever the reason for their visit. Of course I wasn't going to turn my boss away from my doorstep in the middle of the night, either.

I managed three quick and painfully cold bites of ice cream before the buzzer rang. Peace of mind was not immediately attained. Giving the sugar a chance to work, I waited as long as I could to answer the door.

Even willing the sugar into action didn't work.

They started banging on the door.

"We know you're in there, Lyd."

"Please, cherie, let us in. We have a problem."

Bang, bang, bang.

I glared at the ice cream carton, knowing it was willfully denying me comfort in my hour of need. Shoving it into its new home at the back of the freezer, I steeled myself for whatever was to come.

Whoever said bad things come in threes grossly underestimated the persistence of problems.

Bang, bang, bang.

"Don't make us sleep in your hall," Phelps goaded. "What would the neighbors think?"

Probably that I have a pair of stalkers.

Fortified by a deep breath, I swung open the door. "What's this big prob—" I caught sight of something furry in Phelps' arms. Pointing a shaking finger at the furball, I demanded, "What is that!"

"A puppy," he answered with a smile.

"No," I backed cautiously into the apartment, away from the tiny brown fluff, "puppies are soft and round and behind Plexiglas at the pet store. That," I accused, waving my hand in an encompassing gesture, "is a rat."

"Please, cherie," Ferrero soothed as he approached me, "give her a chance."

"H-her?" That thing was female?

Oh no, a tiny brown head popped up and a tiny pink tongue dropped into view. Big round puppy-dog brown eyes blinked against the light of my apartment. She was... she was... the most adorable thing I had ever seen.

But that didn't explain why she was here.

Unless... "No, no, no. I don't want a dog. I hate dogs, ever since Sissy Kowalchuk's bulldog trapped me up a tree when I was nine." I tried to back further away as Phelps approached, but ran into the couch. "And dogs hate me back. They bark and drool and snarl and pee on me. It's a mutual dislike. They—"

Phelps held the little furball out and she had the nerve to lean forward and lick my nose, undermining my entire argument.

"See," he waved the dog before my eyes, "she likes you already. And she's housetrained."

Ferrero approached, reverently petting the furry little head. "Take her. You were made for each other." He winked and elbowed me in the side. "I can tell these things."

I met his eyes and knew he referred to more than just the dog. If his intuition saw a blissful ever after for Phelps and me, then the dog and I were doomed.

"No, I—"

"She has no where else to go."

Phelps smiled sadly, clearly knowing he played the trump card. How could I turn away a sad little ragamuffin with no home and no one to love her?

"Why can't you—"

"My place doesn't allow pets," Phelps argued.

"And I," Ferrero interjected, "travel all the time."

I was beat, and they both knew it. Phelps held her out and I reluctantly took her in my arms. She immediately settled in, snuggling her cold nose into the crook of my arm.

Tempted as I was too coo and baby talk—despite my repulsion at the same only minutes earlier—I was not about to show my maternalistic weakness in front of them.

So I focused on business.

"Is this the problem you were moaning about?" I looked them both in the eyes, indicating my disapproval of their underhanded techniques. "Or was there something else we need to discuss at, oh, two o'clock in the morning?"

Neither had the decency to look ashamed.

"We," Ferrero spread his hands dramatically, "have a crisis."

With Ferrero, there was always a crisis.

Last month it was the color of the hangers Barney's was using to display his ready-to-wear collection.

The month before it was the number of stitches per inch on the lining of one of his men's coats.

Naturally, I was not overly concerned.

"You are going to the suburbs this weekend," he accused.

"Yes, my parents—"

"And you are taking your young man with you."

I was starting to wonder whether the man could remember his own name. "Yes, Phelps is going with me."

"This is a disaster." Ferrero collapsed onto the couch.

Phelps looked to me, brows raised in question. I shrugged and shook my head, not understanding myself why my parents' bon voyage party was a disaster when it hadn't even happened yet. And my mother would never let a party at her home be a disaster.

"And," he continued, his accent growing stronger with each successive word, "he does not even own a trench coat."

Rather than give in to the temptation to fling a pillow at his head, I sat in the chofa, facing him, and calmly asked, "Why is this a disaster?"

Phelps, choosing to squish in next to me on the chofa rather than have a whole cushion to himself on the couch, also took the calm approach. "I have a parka. Can that work?"

"No. You are going away this weekend. Next week we prepare for Milan and the following weekend we go." Ferrero pleaded with his eyes. "I have an inspiration that requires two days of sketching and a trench coat. If I do not manifest this inspiration soon I will lose it. And the world will never see this wonderful design."

"What the—"

I elbowed Phelps in the ribs before he could blurt out what we were both thinking. Ferrero was off his rocker. But I was not about to lose my job by pointing out that my boss was a nut case.

"What can we do to help?" I knew that solving Ferrero's crises usually required only a little effort and imagination.

Like last month when we got Barney's to tie feathered hair clips to all the hangers. Made Ferrero happy, and every customer got a little extra accessory.

"This weekend," he lamented, shaking his head, "would have been the perfect time. But since you're going away..."

He trailed off and I knew what the answer to the first part of the crisis was.

"Why don't you come along? I'm sure my parents would love to have you."

His face lit up.

One down, one to go.

"And I can take Phelps shopping tomorrow for a trench coat." Especially now that I had no official duties left to take care of at work. "Then this weekend you can have him in a trench coat"—why did that sound like a dirty fantasy?—"without the distractions of the city."

Phelps hadn't said a word since I shushed him, but he sat there wide-eyed at our interchange. Surely he'd worked with temperamental photographers and models before. Or maybe he was a temperamental model.

One look at Phelps dispelled that notion like yesterday's trend. The man was a conglomeration of hard-earned muscle and salt of the earth. He might wear Armani and have the face of an angel, but there was nothing temperamental about him.

Astounded, yes, but not temperamental.

"Does that work for you?" I asked Phelps, purely out of courtesy and knowing he would say yes.

When he started to form the word no, I silently added a please.

"Sure," he said, though his eyes said I owed him one, "sounds great to me."

"Perfecto." Ferrero clapped his hands before jumping up from the couch and pulling out his wallet. "Now, show me this workshop your young man was telling me about."

This time Phelps had the decency to look embarrassed.

As Ferrero headed off in search of my workshop, I whispered in Phelps' ear, "We're even."



Phelps and Ferrero finally left at three thirty. I crashed the instant they left, not regaining consciousness until the phone—which I was seriously considering unplugging permanently—rang at seven thirty.

How Phelps had not only the nerve but also the energy to call me that early to go shopping was beyond me.

Still, I managed to drag myself into the shower and get some orange juice and toast down by the time he called from the lobby. Grabbing my purse and keys, I was almost to the door when I heard a plaintiff whine.

Dyllie.

Darting into my bedroom, I peered into the makeshift den I had made for her from a cardboard box and an old blanket. I was not relying on Phelps' assurance that she was housebroken.

She hadn't piddled in the box, which I took as a good sign, but that meant she needed to go out.

I had no leash, no collar, and no idea where the nearest green spot was.

We would just have to wing it.

Plucking her meager five pounds from the box, I tucked her into my purse with the promise that we would get a dog carrier before the day was out.



"Morning sunshine," Phelps greeted as I stepped off the elevator in the lobby.

He looked fresh off a full night's sleep, blue eyes bright and glowing above the fitted black t-shirt that spread sculpturally across his chest. His hair was as tamed as those thick curls ever could be and he looked delicious enough to eat.

I glowered. "Let's go."

Outside Phelps stopped me before I could hail a cab. "The Artist sent us his car."

Following the direction of his inclined head, I saw a beautiful black Lincoln Town Car stopped in front of my building. My morning improved dramatically.

"You ready?" I asked.

He waggled his brows. "For what?"

I grinned and climbed into the back seat, settling in to soft gray leather. "For Bradford's."

"Never been."

He shrugged and shut the door behind us. As the driver pulled into traffic, I stared at him with unabashed shock.

"You've never been to Bradford's?" I watched him shake his head as if it were no big deal. No big deal. This was Bradford's. Mecca to shopaholics and socialites alike. This was Saks for the serious label hound. How could a man who sported Armani on a daily basis never have been to Bradford's? "Where do you buy your clothes?"

"I don't." Again he shrugged, like he couldn't fathom what I thought the big deal was. "I get to keep the samples from shoots and shows."

That explained the couture wardrobe.

"What do you do with all the money you make? Clearly you don't spend it on housing or clothing."

"I'm saving."

"For something special?"

He scratched thoughtfully at his jaw before answering. "For—"

My purse wiggled off my lap, sending Dyllie and all my belongings flying across the floor.

"—um, is that a dog in your purse or are you just happy to see me."

"Come here, Dyllie bean," I cooed, scooping her off the floor with one hand while trying to corral the contents back into my purse with the other. "Don't let the mean man make fun of you."

Before I could argue, he was half kneeling on the floor, gathering my scattered things and setting them back in my purse.

"I think we need to make a stop first," I announced.

The whole day would go smoother if we got Dyllie's needs out of the way first. I had done my research last night and found the best pet store in the city.

"To Puppy Love," I instructed the driver. "We need a leash."

Phelps handed me my purse with that cocky grin on his face. "Does this mean you're keeping her?"

Dyllie circled around on my lap until she found just the perfect position and plopped down and promptly fell asleep. For someone who had such a bad history with canines, I had fallen for this one quickly. I credited my turnaround to the fact that she didn't really look or act like a dog. She looked like a mini teddy bear—or the dog in all those calendars that looks like a toy—and acted like a house cat.

By the time we got to Puppy Love, Dyllie was awake and whining like she needed to do a number one.

"Hold on, girl. We need to get a leash first."

Out of the corner of my eye I saw Phelps smile as I nuzzled her nose. Grabbing my purse, I tucked her safely back inside and silently prayed to the gods of new dog-owners that her bladder held out.

Inside, I wandered the aisles of pet-related goodies with an awe usually reserved for a new candy store. Who gets paid to think up things like the "Pooper Picker Upper" and "Wilderdog Rain Booties"?

"Think this is what Ferrero meant?"

I turned to find Phelps holding a tiny doggie trench coat on a tiny doggie hanger. It was camel colored with original Burberry plaid lining and a matching plaid belt. Sickeningly adorable.

Dyllie would never be subjected to such humiliation. "No, thank you."

"Admit it, this is cute." He flipped up the bottom hem to reveal a bright red ruffle.

Clutching at my purse, and the whining furball inside, I shook my head vehemently. "Put it back. We have serious shopping to do."

"You shop," he agreed, "I'm getting this."

He jogged off to the front of the store, tiny doggie trench coat clutched in his hand, and left Dyllie and me to find our necessities. When we made our way to the front of the store, Phelps stood chatting with the cute clerk, a perky twenty-something smile and matching perky twenty-something breasts.

Stalking to the counter, I flung the black microfiber leash and collar and matching doggie tote down on the melamine surface.

"Good morning, Ma'am," Perky greeted. "How are you today?"

"Fine." As if I needed to feel any older. Especially around twenty-something hunks with eyes for perky redheaded clerks.

My personal history with redheads is not good.

Mental Post-it: Next time a redhead says "Hi," run the other way.

Dyllie poked her wet pink nose out the top of my purse as Perky slid the items across the scanner.

"Oooh," she cooed, "what a cute puppy. What's her name?"

While I tried to decide whether I could ignore her question without looking like a capital witch, Phelps supplied, "Dyllie. She's a Yorkie."

Was that what she was? Better than furry brown rat, I supposed.

"Hi precious." Perky reached beneath the counter and pulled out a doggie treat and held it out.

Dyllie, against my strongly broadcast mental wishes, leaned out and gingerly took the offered treat.

"What kind of diet do you have her on?" Perky asked as she placed my purchases in a large plastic bag covered in wrestling puppies and kittens.

"Diet?" I didn't know what kind of stick-figure dog world Perky came from, but Dyllie was not overweight. She was a puppy for Good&Plenty's sake.

"Yes," she explained. "Diet is crucial in a puppy her age. She needs food rich in fat, protein, and nutrients to help her little body grow big and strong."

That kind of diet. I knew that.

"You're a new pet owner, aren't you?"

I nodded, suddenly feeling woefully inadequate as Dyllie's mother. What did I know about rearing a healthy and well-adjusted dog?

Perky apparently read my self-doubts. "Not to worry," she said, handing the plastic bag to Phelps and indicating I should follow her. "We'll get you all set up."

Though I was tempted to throw Phelps a please-save-me-from-perky-twenty-something-pet-shop-clerks look, I dutifully followed. I should have known to be afraid when she pushed a shopping cart in my direction and asked, "So how big is her bedroom?"



Two hours, five-hundred dollars, one full shopping cart, and a pit stop in Central Park's Sheep Meadow later, Phelps, Dyllie, and I climbed back into the limo and headed for Bradford's. I never knew a little puppy could need so much stuff.

Leash, food, and, in the city, doggie tote, I knew. I would have eventually figured out food and water bowls, too. But there were treats and treatments. Shampoos, toothpaste, and vitamins. Beds and mats.

Dyllie's new possessions filled the trunk.

Tucked safely in her doggie tote beneath my arm, she napped peacefully as we walked past the store windows and through the elegant metal doors into the world of high-class shopping at Bradford's Men.

"Outerwear is on the sixth floor," I explained as I led the way to the elegant elevator.

Everything in Bradford's Men screamed wealthy businessman. From the button-down oxford shirts on display to the warm wood paneling covering the walls. And this season, all the displays were very brightly colored. Though I couldn't imagine a powerful, heterosexual man wearing hot pink and lavender, I knew they did. Maybe because they were powerful and knew no one would question their masculinity.

Or maybe they were secretly not so heterosexual.

"Sixth floor," the elevator announced.

We stepped off into a sea of black leather and heathered tweed. A flash of camel canvas caught my eye.

"There are the trenches." I pointed to the racks of trench coats in a rainbow of neutral colors along the far wall. Apparently powerbrokers restrict the bright colors to shirts and ties.

"Lead on, captain."

Phelps followed as I wove through the pea coats and bomber jackets and Gore-Tex parkas.

"I still can't believe you've never been to Bradford's," I reflected as we came to a stop in front of a rack of London Fog. "How can a New Yorker not come here? It's like church. Only without the preaching."

And occasionally without the guilt.

"Don't know," Phelps shrugged as he pulled a hip-length coat and held it out to look at it. "Never needed to, I guess."

I shook my head at the coat and at him. "Bradford's is not about need."

Setting the coat back on the rack, he shrugged again. "I have more clothes than I could ever ne—" He paused when he noticed my mouth preparing to repeat my last comment. "More than I could ever want. I have better things to spend my money on."

"Like trips to the Andes?"

"Nah, that was work." He shoved his hands in his pockets, as if he'd been admonished not to touch anything.

"You don't spend your money on clothes or trips and you obviously don't spend it on rent." I scanned the racks from just the right coat. "What do you spend it on? Drugs, whiskey, and women?"

"Children."

I stopped my search and stared at him. He had children? Not that I believed it wasn't possible, but he just did not strike me as the fatherly type. More like the troublemaking older brother type.

"Ch-children?" I repeated, incredulous.

He turned away, presumably to look at a rack of black leather pea coats, but I had a feeling it was to avoid my questioning gaze.

"I started a charity." His voice was flat, like he didn't care. Or was afraid to show that he cared. "A foundation to get underprivileged kids involved in their community. In making their community a better, more prosperous place."

Great Gobstoppers. He was a philanthropist.

Now that was a surprise.

"That is a noble thing," I squeaked, unable to hide my shock at his revelation.

He shrugged again, keeping his back to me. I took that as flashing neon sign to drop the topic. Reluctantly, I returned to my coat quest.

Then I saw it. The perfect, damp English night, Sam Spade trench. Knee-length camel with polished horn buttons and cashmere lining. I held it up to Phelps' back and nodded.

"This is the one."

He turned.

"Let's get it on."

The seductive look he gave me could have fried ice.

Thursday, November 25, 2010

Thankful For Fan Art

Happy Thanksgiving everyone (at least, everyone in the USA). I hope you're busy enjoying your turkey or tofurkey and watching some football. Honestly, this is one of the only days of the year that I watch football. It's tradition.

Another tradition I'm loving? Fan art!!! I just get a little squee inside every time I get an email with fan art. And this offering from fabulous Faydra is no exception.


I love Shakira and she definitely has that Lily look. And you know I can never get enough Nick Lachey. *insert sigh here* Thank you, Faydra, for this beautiful collage.

Wish Faydra luck because this is her fifth year doing NaNo. Good luck to everyone struggling to get to the finish (myself included).

Hugs,
TLC

Wednesday, November 24, 2010

Inspiring Quotes

I am kind of obsessed with minimalism blogs (which maybe contradicts the essence of minimalism, but oh well) and I recently saw a great list of inspiring quotes on Wake Up Cloud. Some of them were too wonderful to keep to myself, so I'm sharing my favorites that seem especially relevant as NaNoWriMo winds down.

A Cloud by ShutterSparks

Motivation is what gets you started. Habit is what keeps you going.
– Jim Rohn

Let NaNo be your motivation, and afterward you'll be in the habit of writing daily. Or just in the habit of writing, period. Whether you write every day or cram it all in at the end (cough me cough) the more you practice the more natural the act of writing will feel.

It does not matter how slowly you go as long as you do not stop.
 – Confucius

While we are all caught up in NaNo's 1667 words per day right now, that is not the only way to go. I have a writing friend who joined a 100 words a day group, where the only requirement was that she write at least 100 words each day. She almost always wrote more and ultimately finished her first book. If 1667 words sounds too intimidating, try 100 words.

A jug fills drop by drop.
– Buddha

Or, more appropriately, a novel fills word by word. This goes along with the previous quote. Writing a novel is simple the act of putting one word after another until you reach the end.

Genius is one percent inspiration and ninety-nine percent perspiration.
– Thomas A. Edison

As previously discussed, writing is hard work. Think of the idea, the initial spark of your soon-to-be story, as the one percent inspiration. Crafting that idea into a novel-length manuscript is the ninety-nine percent perspiration.

If you spend too much time thinking about a thing, you’ll never get it done.
– Bruce Lee

This is the thing I love most about NaNo. When you have to write quickly, your brain stays out of the way. I'm a firm believer in letting the subconscious lead the way in figuring out plot and story, and the faster you have to write the more the subconscious takes over. Trust me, your subconscious knows a lot more about your book than you do.

Do you have any inspiring quotes that keep you going? Please share.

Hugs,
TLC

Tuesday, November 23, 2010

Buzzing About Thanks

In honor of Thanksgiving we're talking about things we're thankful for over at Books, Boys, Buzz... this week. Oh, and there are giveaways!

Hugs,
TLC

Monday, November 22, 2010

NaNo Video: The NaNoWriMo Song - Music Video!

It's Monday, so that means it's your weekly fun NaNo video. This one is a super fun song that I especially love for two reasons. One, the highly recommend the writing book shown in the video (Writing and Selling the YA Novel by KL Going). Two, she has the same rainbow quilt on her bed that I have (go Team Target).


I love the progression of story in the song, too. It's like a Taylor Swift song, complete with three act structure. Where are you in the process? Are you still enthused, fading fast, or reinvigorated?

Hugs,
TLC

Friday, November 19, 2010

Eye Candy: Chapter Twelve

(Missed some? Read chapter 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11.)


Q: What did the cheerleader say to the ghost?
A: Show your spirit.
— Laffy Taffy Joke #26


"Where are you?" I asked.

"D-d-downstaaairs."

I heard a rustling on the other end of the line, along with a muffled, "Here, let me speak with her."

"Hello?" This had to be the most bizarre phone call I had ever received. What was KY Kathryn doing downstairs in my apartment building, calling me because her fiancé was cheating on— Oh wait, that sounded vaguely familiar.

"Miss Vanderwalk, it's Howard."

At least he wasn't hysterical.

"What is going on down there, Howard?"

"There's a young lady,"—a pause followed by a wailed something akin to Kafrin Mamforf—"a Miss Kathryn Danforth if I interpret correctly, asking to see you. It seems a matter of some urgency but I wanted to check with you first."

"Send her up—" I started, but realized that might be a bad idea. "Actually, I'll come fetch her."

"Yes, Miss." Howard paused before adding. "And you might bring some Kleenex."

"I'll be right down."

On the ride down in the elevator, tissue box in hand, I mentally ran through all the possible reasons that KY Kathryn had come to me, of all people.

Not only were we not close, but we had never even had a complete conversation. She had her perfect life and her perfect friends and didn't need me, a thrown-over fiancé with no Manolos in my closet and no Barnard on my transcript.

I went through all the possibilities and came up with none. Zip. Zero. Zilch. And all those other words started with Z. Except that I had once played the role of jilted fiancé.

The elevator doors slid open and I entered the tear-fest. Kathryn looked worse than I had ever seen a KY look. Her hair hung in ratty strings around a face free of makeup except for black smudges beneath tear-reddened eyes. Unlike the polished Kathryn I usually saw at work, this defeated Kathryn wore a holey Barnard t-shirt with half the letters rubbed off and a pair of well-worn sweatpants. This was a picture not of an elegant, vengeful KY, but of a downtrodden and heartbroken woman.

Poor Howard, with only the experience of sons to guide him, sat with his arm around sobbing Kathryn's heaving shoulders. He saw me and lit up like a kid on a snow day.

He leapt from the bench, helping her to her feet and guiding her in my direction. "Here she is, Miss Danforth."

Kathryn looked up at me with all the haunting desperation of the world in her eyes. And broke into a fresh round of wails.

"Come on, Kathryn." I patted her awkwardly on the shoulder in an attempt at friendly sympathy. "Let's go upstairs and you can tell me all about it."

Handing her the box of Kleenex, I met Howard's gaze over her low-hung head and mouthed a "Thank you." He smiled and nodded. And then hurried back to the front desk, out of sight of the crying woman.

"Tell me what happened," I encouraged as we entered my apartment.

She plopped inelegantly into my chofa and wiped away the tears and mascara smudged beneath her eyes. "Victor is cheating on me."

"How do you know?" I grabbed the basket under the end table and pulled out the pristine package of Belgian chocolate seashells. Serious situations call for serious sugar.

Kathryn plucked a dozen tissues and blew her nose like a foghorn. "He said he was working late and I called the office and they said he wasn't there."

"Maybe he had a business dinner," I proposed as I handed her the box and she took a marbled seahorse from the selection. "Maybe he—"

"No," she said around a mouthful of chocolate. "I called his driver. He was at that new dinner club in Midtown."

"It could still have been a—"

"I saw him. With his secretary." She dabbed at her eyes as they watered again. "Huddling."

"Huddling?"

"Close huddling."

Well that did sound pretty incriminating. And it sounded like Kathryn had some doubts in the first place. "Why did you call to check up on him? Were you two having problems?"

Tucking her feet up under her on the chofa, she reached for another seahorse before continuing. "He's been spending more and more nights working late. And he's more distant. Especially when we're intimate," she continued despite my sudden fidgeting at the encroaching too-much-information zone, "he seems preoccupied and he's spending less time on fore—"

"What did he say when you asked him about it?" I rushed out before she could divulge all the secrets of her sex life.

She didn't answer, instead focusing on tearing her tissue to shreds.

"You didn't ask him?

She shrugged. "Seems pointless. I know what I saw."

"It would be better if you talked to him, Kathryn." I retrieved the cordless from the kitchen and handed it to her. "For your peace of mind."

She stared at the phone then looked up at me with sad eyes. "Did you talk to Gavin when it happened?"

I shouldn't have been surprised by either her question or her apparent knowledge of the details of our break-up. As I looked at her, a sorry heap surrounded by crumpled Kleenex, I saw a reflection of myself two years ago. Me in ratty Columbia sweats planted on Bethany's couch and surrounded by empty candy wrappers. Drained of every last drop of energy and confidence. If Bethany hadn't kicked me out of the apartment every morning at seven I would have lost my job.

It was months before I went out for anything resembling a social occasion. Months of days filled with work and self-pity and weekly trips to the candy aisle at D'Agnostino.

And as much as I despised the KYs and all they stood for, I would never wish that miserable agony on any woman.

So I answered honestly.

"No, we never talked." I pushed the phone into her hand. "And look how that wound up."

After several silent moments of consideration and tissue shredding Kathryn took the phone and dialed the number. "Victor?" she asked, her voice breaking with emotion.

She looked to me for encouragement and I managed a genuine smile.

Her jaw set in determination and she boldly asked, "Are you having an affair?"



One hour and countless apologies and assurances later, Victor escorted Kathryn from my apartment. Turned out he had been working tons of overtime to surprise her with an Aegean cruise for their honeymoon.

By the time they left I was so sick of baby talk and endearments that I might have given up Jelly Bellies for life just to silence them.

I closed the door on their clinging embrace and faced my suddenly empty apartment. It had always felt like home. A comforting and welcoming space with just the right mixture of cozy and spacious.

Right now it just felt desolate.

Something was missing, something more than a table or a painting. Something emotional.

"Maybe I need candy," I said out loud, just to hear the sound of a voice and maybe convince myself that was all I really needed.

But for once in my life candy was not the solution. That in and of itself should have floored me, if not for the greater problem at hand.

For the first time in two years I began to question whether I had done the right thing in just dissolving the relationship with Gavin without so much as a this-is-over talk. Admittedly, I had caught him in a significantly more compromising position—meaning his secretary kneeling at his feet and his pants around his ankles—but that didn't mean I didn't need closure.

Before I could think myself out of it, I picked up the phone and dialed Gavin's number.

When the machine picked up I nearly wimped out. Then I thought of all the heartache I had gone through, and all the heartache I had just saved Kathryn from, and I firmed up my resolve.

At the beep I left my brief message. "Gavin, it's time we talked."

With that long-due conversation irretrievably in the works, that left me with a looming realization. Somehow I had just made friends with a KY and I didn't know what to think about that. And the scariest part was realizing that they—or at least Kathryn, who always had been the friendliest of the clique—had all the same feminine insecurities as other women. As me.

The fresh pint of Heath Bar ice cream in my freezer called to me, promising to help digest this new information.

I had just dug a spoon from the drawer when the phone rang.

This night was never going to end.

Thursday, November 18, 2010

First Fins Are Forever Fan Art

Amy J from My Overstuffed Bookshelf (a fabulous member of my Splash Team) sent me this absolutely adorable fan art for Fins Are Forvever. How cute is this?


Thank you so much for this sweet image, Amy J, and for the very first fan art for Fins Are Forever!

Hugs,
TLC

Wednesday, November 17, 2010

Inspiration Fan Art

You might remember Julie from her first fan art contribution. Well, she's done it again, and this time it's writing-related. She was inspired by a piece of advice (thank you Nora Roberts) from my Welcome to NaNo post.


Thank you again, Julie! I love it when you guys are motivated to create and share it with me. And especially when you let me share it with others!

Hugs,
TLC

Tuesday, November 16, 2010

Buzzing About Chili

It's turning out to be Soup Week over at Books, Boys, Buzz... and I'm talking about my favorite vegetarian chili recipe.

Hugs,
TLC

Monday, November 15, 2010

NaNo Video: I Am The Very Model Of A Wrimo Individual

Another fun NaNo video to keep you motivated. I absolutely love this one because it calls to my theatrical soul. The Pirates of Penzance is my favorite Gilbert and Sullivan, though my opinion may be influenced by my undying love for Kevin Kline (who, by the way, was in an acting class with my mom in college, and my mom swears she got a higher grade).


Speaking of NaNo progress, we're halfway there and you might notice that my word count is kind of ... lackluster. I got a little distracted by other stuff going on and had to take a few days off. Don't be worried, though. I am a deadline slave and my pace will pick up as we get closer and closer to November 30. I will earn that Scrivener discount!

Now it's your turn to share. How's your NaNo going?

Hugs,
TLC

Friday, November 12, 2010

Eye Candy: Chapter Eleven

(Missed some? Read chapter 1, 2, 3, 4, 5, 6, 7, 8, 9, 10.)


Q: What did one shoe say to the other shoe?
A: Don't stick your tongue out at me.
— Laffy Taffy Joke #9


Two hours and countless subway stops on every line in the Metro Transit Authority we arrived at my front door. I was exhausted and filthy and out of breath from running up the ten flights to my floor, but surprisingly enough I was having a good time.

Now I knew what older women saw in younger men.

"Admit it," Phelps teased as he poked me in the ribs, "you had fun on the subway."

I looked into those beautiful blue eyes and saw all the exuberance that was missing in my life. If only I was a few years younger.

"Yes," I admitted reluctantly, "it was actually pretty fun." My mother would have a heart attack if she ever— "You can't say anything about this on Saturday."

"About what? The subway?"

"Yes. It would kill my mother to learn I spent a night riding mass transit. For fun." And really, the last thing a woman about to sail around the world needs is a heart condition.

Phelps just smiled. Not that cocky, arrogant smile that grated my nerves—even though I was beginning to like that smile against my better judgment. No, this was a soft smile of indulgence. Of admiration.

"You, Lydia Vanderwalk," he said as he stepped closer and lifted a hand to my cheek, "are some piece of work."

His hand slipped behind my head and I felt the warm heat of his palm urge me closer. Hypnotized by his flame blue gaze, I leaned forward until my lips met his.

This was no hot and heavy, for public display kiss.

This was gentle and tender and I felt it all the way down to the tips of my toes.

My first response was, Why? Why was Phelps kissing me in this seriously romantic way?

But when he tilted his head and nibbled on my lower lip all questions—indeed all thought—ceased to matter. The soft fullness of his lips rubbed rhythmically against mine with a gentle pressure that begged me to open my mouth.

I was just about to when I heard a loud—as in this-is-not-the-first-second-or-third-attempt loud—ah-hem from behind me.

Reluctantly pulling away, I turned to find Gavin standing in the hall.

At least now I knew why Phelps had kissed me.

It had all been for show.



"So sorry to interrupt," Gavin said as he thrust a D'Agnostino bag in my face, "but I want my book back."

Stepping out of the awkward entanglement with Phelps I took the bag. I hefted the several pounds of small, wrapped goodies and sighed. It felt good to have my candy back.

Though as I thought about it, candy had not crossed my mind in the last several hours. I guess I was just too preoccupied discovering that my Italian fashion designer boss is an utter phony and that I like kissing Phelps Elliot way too much. Because nothing but the greatest of distractions could ever keep me from thinking about candy. Like studying for finals or obsessively striving to finish a complex jewelry design. But even in those cases I usually manage to drum up some serious desire for candy.

Maybe I needed to get myself checked out. I mean, it's not like alcoholics suddenly stop thinking about their Jack and Cokes or shopaholics suddenly stop fantasizing about sample sales at Bradford's.

Mental Post-it: Make appointment with psychiatrist to discuss period of candy disinterest.

Coming out of my mental wanderings, I found Gavin standing in front of me looking like a package of Pop Rocks ready to pop.

Oh yeah, the book.

"The book isn't here," I explained. "I left it somewhere for safekeeping."

"Where? The dump?" Gavin retorted.

"Actually," Phelps stepped around me and slung an arm across my shoulders, "she gave it to some starving homeless guy at 18th and C. If you hurry you can probably catch him."

"No, it's—"

"Listen, pretty boy, this is between Lydia and me." Gavin poked Phelps in the chest and I had a feeling this situation was going very wrong very fast. "Though come to think of it, you're as much to blame as me in this."

"Wait, let's—"

"Me? I don't even know what this is about." Phelps released me a stepped closer to Gavin, chest trust out like a strutting pigeon. "You show up here with a bag of junk and go psycho over some book. What do I—"

"Really, boys—"

"You agreed to the bet, jerkwad." Gavin poked Phelps in the chest with two fingers.

This situation was escalating much too quickly. And nosy Mrs. Peepers—I don't know her real name, but that fits the busybody well enough—was peering through the crack between door and jamb with avid interest.

"Can we please go inside and—"

"The bet?" Phelps shouted. "This is about that stupid bet?" He turned to look at me with disbelief. "What is the big deal about a bunch of candy?"

The hallway fell silent.

I closed my eyes against seeing understanding wash over Gavin's face. He of all people would know that any man seriously interested in me would know about my candy addiction.

That Phelps obviously didn't know... well, that was a problem.

The game was up.

Now Gavin would ask the question and I would have to tell him the truth because I never could lie to him—

He smirked. "Have you been keeping your little problem a secret from Phelpsy here?"

The condescension in his tone pushed me too far. "Listen Gavin, what I have or haven't told Phelps is none of your business. You lost the right to meddle in my affairs a long time ago." I stepped between the two raging testosterone-fed egos and faced Gavin with all the confidence I could muster. "Please leave."

He looked like I'd slapped him.

Backing away slowly, he scowled as he said, "You always were quick to defend whatever side I wasn't on. It was a wonder we lasted as long as we did."

I stared blankly at Gavin's back as he stalked away, slamming the door to the emergency stairwell behind him.

What had that parting comment meant?

For years I had been the dutiful girlfriend, blindly taking Gavin's side despite mounting evidence of his unfaithfulness. When he started staying late at the office five nights a week, I made excuses to family and friends that he was working really hard at his very demanding job. When he went away for long working weekends I attended all those social functions alone, putting on a happy face to hide the fact that our relationship was sinking fast.

"You should've let me punch him at the party."

Phelps placed his hands on my shoulders, giving me a reassuring massage. I turned into him, burying my face in his shoulder as tears of confusion and doubt stung my eyes. In his comforting embrace I let out all the frustration of two long years. Two years wondering what had gone wrong, what I had done do drive Gavin away.

Wondering how I hadn't been good enough.

Though I told myself it was better this way, there were still times on dark, lonely nights that I wondered if it might have been better if I'd never caught Gavin red-handed. If we'd just gone on as we were, gotten married, and lived the kind of marriage so typical of our peers.

Suddenly I felt very alone.

It had been two years since I'd been held like this. Like I mattered. Like I was cherished.

And it felt good.

Awkwardly wiping at my tears, I looked up into Phelps' brilliant blue eyes smiling down at me and smiled. I never wanted this feeling to end. "Want to come inside."

His smile faltered. "I don't think that's a good idea." He smoothed back the hair hanging across my eyes. "Not in your current state."

"Just for coffee?" He looked doubtful, so I added, "Promise."

He considered the offer for a minute before relenting. "One cup."



"I know I've got a coffee pot around here somewhere." I rifled through the twenty-four cabinets in my kitchen until I found the hunted appliance. "Ah-ha!"

"Not a coffee drinker, are you?"

Phelps looked around my apartment for the first time, and I wondered what it would look like to a relative stranger. Bland probably. Most everything was cream, beige, taupe, or a combination of the three.

Sheer cream drapes. Taupe sofa. Cream and taupe throw pillows. Ooh, there was ivory in the wallpaper.

The only real color and warmth in the apartment came from the wood furniture. The rich walnut coffee and end tables, media cabinet, and bookshelves. Somehow the deep auburn-brown turned the beige room into a welcoming home.

Or so I hoped.

"I managed to get through college without catching the coffee bug." Plugging in the ancient Krupps coffeemaker—a graduation present from a not-so-close Aunt Essie—I wiped off a layer of dust before taking the pot to the sink and filling it with water.

Phelps returned to the kitchen and leaned against the counter. "Candy's more your thing."

I had expected the questions. But that didn't mean I wanted to answer them. As I poured the water into the well I shrugged.

Water dribbled down the pot and all over the counter.

"Want to talk about it?" He pushed away from the counter and tore some paper towels off the roll hanging beneath the cupboard by the sink. Mopping up the dribbled water, he offered, "I'm a great listener."

"Can you grab the coffee from the freezer?" I asked, fully aware of my weak diversionary tactics.

Phelps was also a great interpreter, because he read my unwillingness to talk and let the subject of candy go. "If you don't drink coffee, why do you have three bags of it in your freezer?"

"I have friends. Family, too."

He started to read the label but I grabbed it away before he could finish. "Did that say Thin Mint Blend?" I scowled and started to retort, but he interrupted. "Never mind, forget I asked. You got music in this joint?"

I nodded to the armoire and went about making the coffee as Phelps flipped through my meager CD collection.

"The Bangles. Cindy Lauper. Boy George." The sound of CD cases clicking against each other as he flipped echoed through the apartment. "What decade are you from?"

"80s born and bred," I answered, never feeling so old since the time my six-year-old cousin asked if I was one-hundred. I know children have no conception of age, but still.

Phelps plucked out a CD and popped it into the stereo. Soon the sounds of Macy Gray filled the room and my mood cheered exponentially.

"How old are you?"

"You can't ask a woman that question."

"But you asked me." He returned to the kitchen and searched through cupboards until he found a pair of coffee mugs. "It's only fair."

When he lifted one mug in question, I nodded. "I'll have a Frothe." No need to mention it was a Butterfinger Frothe. "And it's not the same. You're a guy."

"Thanks for noticing, but it's still your turn."

I punched the on button before turning to face him and his question. "I'm thirty-three." Crossing my arms across my chest I dared him to tease. "Almost thirty-four."

He wisely moved ahead without commenting—which I interpreted as "Jeez lady, you're old!"—and asked, "When's your birthday?"

"Next month. September 17."

Maybe he would leave the subject now. I already felt as old as Croesus, and was getting older by the second. Almost to the point of regretting inviting him in.

Almost, but not quite. Feeling crummy and old was better than feeling crummy and alone any day.

"That's during the trip to Milan," he exclaimed. "Perfect. We can celebrate in Italy."

"First of all, I am not celebrating the birthday that will make me irrevocably mid-thirties." Though the excitement in his beautiful blues could induce a woman to celebrate even her fortieth birthday, I turned away and worked on making my Frothe. There are some lines a woman has to draw in the world of birthdays. "And second, you're not taking me to Italy."

He came up behind me, so close I could feel the heat of his body. But he didn't touch me. He just whispered into my ear. "But I want to take you."

The coffee pot chose that instant to explode all over my cream, beige, and taupe apartment.



Forty minutes later I tied my terry robe tightly over my pajamas as the Maytag in my utility closet spun a dozen coffee-stained towels and Phelps' clothes dry. My apartment was covered in Carpet Fresh soaked splotches and Phelps sported my fleecy gray robe. And nothing else.

I had to keep reminding myself not to think about that.

"Your clothes should be dry in half an hour."

"No problem." He looked me up and down, his attention caught by the neckline of my robe. And the jammies poking through. "Are those candy hearts?"

Clutching the robe tight to my neck, I made sure the terry covered everything. "Of course not, they're just hearts. Simple, girly, romantic—"

"I can still see the pants, Lydia."

I looked down to see the candy hearts-covered fabric peeking beneath the hem of my robe. "Alright, they're candy hearts. You got a problem with that?"

"I'm not the one with a problem."

He meant it as a joke. It sounded like a joke. I knew it was a joke. But after the night I'd had, I was not prepared to joke. Especially about candy.

Which reminded me, there was a full bag of candy waiting on the kitchen counter for me. One I was not about to open and consume in front of Phelps.

"I think you'd better leave." I tried for offended, but came off as snooty.

He just laughed it off and collapsed onto my sofa. "I can't. You have my clothes hostage."

Which only reminded me that he was wearing nothing—and I meant nothing—under that robe. My gaze unconsciously dropped to his basement, as Fiona put it. Darn thick fleecy robe! I couldn't see anything.

Man, I was sure hard up if I was resorting to looking up a guy's skirts, so to speak. Good thing he wasn't wearing a kilt or I'd be upskirting him with my camera phone.

"Fine. Stay. I don't care."

He smiled like he knew what I had just been thinking. "Come here." He curled his index finger at me.

"I'm fine where I am." Leaning against the dining table a good fifteen feet away.

Instead of keeping the comfortable distance between us, he stood and crossed to me. When he was just inches away—so close I could smell the faint remains of his aftershave and the lavender water on the robe he wore—he lifted his hands. I braced myself for another kiss.

Well, brace was not the right word. I arched my neck to present my mouth at a better angle, leaned forward, and closed my eyes.

Then I felt his hands on my robe. Pulling it open.

"Candy hearts." He closed the robe just as gently and patted it back in place. "Just as I thought."

I heard the smile in his voice. The nerve.

When I opened my eyes to give him a piece of my mind, he was gone. "Phelps?" No answer. Was I losing my mind? Maybe this was a symptom of candy withdrawal; hallucinating gorgeous young men naked beneath their robes. But I could still smell the aftershave. "Phelps!"

"Just giving myself the ten cent tour," he called from another room. "What's in here?"

His voice was coming from the second bedroom. From my— "Great Gobstoppers, get out of there."

I ran to the workshop, heedless of the way my pink furry slippers, um, slipped across the wooden floor of the hall. There he was, in all his nakedness—beneath the robe—in the precious den of my creativity.

"This is where you design your jewelry," he stated as he sifted through a collection of sketches on the work table. "These are amazing."

"No, no, no." I rushed across the room and grabbed the sketches from him. "You can't be in here. No one is allowed in here. You'll destroy my creativity."

Grabbing him by the shoulders, I forcibly pushed him toward the door. He didn't fight my efforts.

"No one can destroy your creativity," he argued as I thrust him through the door and closed it behind us. "It's inside you, not that room."

"You don't understand. You can't be in there."

"Okay, I'm not anymore. Alright?"

I stopped, looked around, and realized we were in the middle of the living room. My work room was far away with the door safely closed.

And Phelps looked a little shocked.

"I-I'm sorry, it's just that..." I searched for a meaningful explanation but found none. "I need candy."

The buzzer on the dryer went off to signal a batch of dry clothes and towels. As I headed for the full bag of candy in the kitchen, he headed for the utility room.

By the time he emerged, fully clothed, I was sitting on a stool at the breakfast bar and had inhaled two packages of Gummi Lifesavers. I swallowed the last of a pair of cherries before venturing to meet his gaze.

"Sorry I freaked out," I said by way of apology. "I get a little obsessive about my work room. No one else has ever been in there."

"No one? Not even Gavin?"

"No, and..." That was another problem we had to deal with. "You can't go off all macho on Gavin. It only sets him off and I don't want any fights on my conscience. He's not worth it."

He moved between my knees and lifted my chin. "I can't promise not to punish the guy for being a jerk. But I'll try not to start anything."

I allowed myself a small smile as I stared, hypnotized by those blue eyes. "Thank you."

"Nothing," he whispered in my ear, "can take away your creativity. Nothing."

He pressed a soft kiss to the corner of my mouth before walking away and heading for the door. "And Lydia," he called without turning back, "I am taking you to Italy."

The door closed behind him with a whooshing click and I sighed. There was something about Phelps Elliot that made a girl quiver. On the inside and the outside.

Now if only I knew whether that was a good thing or not.



In the utility room, I found my coffee-stained towels neatly folded and stacked on the dryer. Frowning, I decided that Phelps was a surprising man.

And I was an hysterical woman.

Sweet Saltwater Taffy, could I have overreacted more?

Sure, the work room was sacred, but that didn't mean I had to go ballistic and blast the guy out of the room for daring to enter. It's not like he knew what he was doing.

Still, I had to wonder what kind of damage had been done to my fragile field of creativity.

Leaving the towels next to a bottle of bleach, knowing that Danielle would know what to do, I headed for the room.

At first glance everything seemed normal.

Everything in the right place, except for the stack of sketches I had tossed on the nearest table as I kicked Phelps out the door. I quickly returned them to their home on the work table.

All appeared okay.

I closed my eyes to feel the room.

No negative vibes struck me. No glaring disruptions in the energy— in fact, I had an inspiration.

Unbidden, and design popped into my mind that would be perfect for the Ferrero men's line. A manly silver wrist cuff with a brilliant blue lapis stone in the center. Part Wonder Woman bulletproof bracelet, part Native American bow guard.

It was beautiful, perfectly formed in my mind, and entirely unexpected.

Before the image left as quickly as it came, I jumped onto the stool and started sketching. I had just finished the final sketch when the house phone rang.

Quickly scrawling the title, "Rockuff," I ran for the phone in the kitchen.

"Hello?" I answered with more enthusiasm than I had felt in ages. I guess Phelps had not destroyed the creativity in my room. In fact, I would have to admit, he might have helped it.

From the other end of the line I heard a serious of sniffles.

"Hello?" I repeated.

This time I heard a full out sob.

Quickly checking the caller ID, I saw a number I didn't recognize. It wasn't Mom, Fi, or Bethany. Who else would be calling me to cry in my ear?

"Hello!"

"L-l-ydiaaa?" a faintly familiar voice wailed.

"Yes," I answered hesitantly. "Who is this?"

"K-k-kaaathhhh—"

Now I recognized the voice. "Kathryn?"

All I got was a muffled "Uh-huh."

She sounded miserable. "Kathryn, honey, what's wrong?"

"Lydia," she wailed into the phone, "my fiancé is having an affair."

Thursday, November 11, 2010

Worms on the Underground

Today is my blog day at the Supernatural Underground and I'm talking about how trends in fiction are like worms in the yard.

Hugs,
TLC

Wednesday, November 10, 2010

5 Ways to Beat the NaNo Blues

A few days in, blogs and tweets and status updates about NaNoWriMo have drifted from positive and hopeful to negative and downbeat. I'm seeing lots of writers who are giving up on their first project and starting over or just giving up all together.

These writers are figuring out what those who say, "I'd like to write a novel someday, if only I had the time..." will never realize:

WRITING IS HARD

It's not blithely sitting down with a pen in hand and scribbling out the words of the fully-formed novel that just happens to be trapped in your head. It's yanking those words out with a vice grip, agonizing over whether you should have pulled others words instead, and either shoving those words onto the page or tossing them aside and going after new ones.

Rest assured that wherever you are in your writing pursuits, you are not alone in this. Everyone from starting-the-first-book newbies to seasoned ultra-bestsellers feels exactly the same way.

These doubts can keep a writer from doing the single most important thing:

WRITE

Thankfully, there are things you can do to muffle the doubts. (You can't ever really silence them, but you can hush them enough to get some work done.)

  1. Embrace the crap. Let go of the idea that you're going to get this right on the first try. Even if you write a really clean first draft, there are still going to be a lot of things (from single words to whole chapters) that will change, cut, or rework in the revision process. Accept that you have to let the words out so you can fix them later.
  2. Find writer friends. No one but another writer will understand what you're going through, because they're going through the same things. Find someone who is at the same stage of the career as you so you can share triumphs and tragedies together. If possible, find someone you think is a better writer than you but who also thinks you're a better writer than them.
  3. Set a timer.Tell yourself you're only going to write for fifteen minutes. That's doable, even on the worst days, right? You will be surprised by how much you can get done in that short amount of time. And how much that will inspire you to take on another fifteen.
  4. Force a deadline. One of the biggest benefits of being a published author (besides all the fame and wealth, of course) is having a contractual deadline for finishing your book. As an unpublished writer, you might need to trick yourself into having a deadline. NaNo is great for this! Writing contests are good deadlines, too, but try to find ones that require a complete manuscript. And, if all else fails, set your deadline and assign someone else to make you accountable to it.
  5. Finish the first. The biggest boost in confidence an aspiring writer can get is to finish their very first book. Before that moment, you are just someone trying to write a book. After that moment, you are suddenly someone who has written a book! You'll never again doubt whether you have it in you to finish a book because you already have.

The bottom line is that writing doesn't get easier. You'll become a better writer with every book, but that just makes it even harder because you'll have a new, higher standard to weigh your words against. That doesn't mean you should give up (but if you can walk away from writing and never look back, then you probably should) it just means you need to get a little Zen about the doubts and use them to make your words better.

Hugs,
TLC

Tuesday, November 9, 2010

Buzzing About Fall TV

Today I'm talking about new shows and old faves in the Fall TV lineup on Books, Boys, Buzz... Check it out and be sure to tell me if I'm missing out on any great new series.

Hugs,
TLC

Monday, November 8, 2010

NaNo Video: 5 Reasons-o to NaNoWriMo

I needed a little fun inspiration to keep me NaNo charged, so I found this video to share. (I have a couple more to share over the rest of NaNo. Check back for the others.)


I love this girl. She has exactly the kind of attitude I want my readers to have and she seems like someone super fun to hang out with. Also, she's talking about NaNo. Win-win.

Hugs,
TLC

Friday, November 5, 2010

Eye Candy: Chapter Ten

(Missed some? Read chapter 1, 2, 3, 4, 5, 6, 7, 8, 9.)


Q: How does an octopus feel?
A: Handy.
— Laffy Taffy Joke #176


My office looked like a circus tent. All the walls were now covered in garishly bright stripes, the elegant cream-colored armchairs had been replaced by two semi-circular, red velvet sectionals, and Ferrero stood in the center like a ringleader directing the placement of two mannequins and a golden sculpture of a poodle standing on his front paws. A standard poodle.

I took one look and turned to run.

Unfortunately, Ferrero has keen eyesight.

"My muse," he called out.

Shoulders slumped in resignation, I walked into my office to face the disaster.

"Where have you been all morning?" he chided.

Though one never can tell how Ferrero will react, I thought it best not to tell him I had been breaking into my late-fiancé's penthouse to steal a priceless book in retaliation for the loss of a drawer-full of candy.

"Errands," I said dismissively, hoping he would drop the topic, "I am a very busy woman."

He waved both soft hands in front of his face. "No more," he clucked. "From now on you are only my muse. You shall eat, breathe, drink, love the Spring Collection. If I work, you work. If I rest, you rest. We are the same person."

Closing my eyes against his over-the-top display of artistic temperament, I wished this all away like the remnants of a bad dream.

Couldn't we go back, like, five days? Just before I walked through that door with Phelps and my life hurdled out of control. No, that wouldn't be far enough. I'd have to go back at least until before I told Jawbreaker about the NEB in the first place. And before my parents told me they were selling the ancestral home to sail around the world.

"Cherie?" His multi-accented voice invaded my delusional fantasy. "Cherie, we must to work."

Reluctantly opening my eyes, I found the workmen gone, the mannequins standing at either end of my desk, the golden poodle on my desk—where my monitor use to be—and Ferrero reclining on one of the red sofas with a sketchpad in hand.

He looked enthusiastic. Anticipatory. Predatory.

"Alright," I replied hesitantly, "what do you want me to do?"

I crossed to my desk and rummaged around for a sketchpad of my own. And surreptitiously slid the bags of Jolly Ranchers, Cinnamon Bears, and Squirrel Nut Zippers into my lower left drawer. A feisty Zipper dropped to the floor and I knelt under the desk to fetch it.

I had just closed my fingers around the nutty treat when Ferrero said, "First, you must take off your clothes."

"Wha—aaack!" The crown of my skull connected with the solid wood of my desk drawer, sending lightning bolts of pain to every nerve ending I possessed.

"Are you okay?" Ferrero asked, in a suspiciously un-accented voice.

He rushed to my side and tried to help me up but I smacked away his hands.

"What did you just say to me?" I rose to my feet and put some extra distance between us as I rubbed my throbbing head. My left hand tightened into a fist around something solid. I looked down. The Squirrel Nut Zipper.

While Ferrero formulated a response, I unwrapped the prodigal candy and devoured it.

"I only meant," he began, Italian accent firmly in place, "that you should be in something more comfortable than what you have on."

He gestured to my Ralph Lauren Black Label pencil skirt and cashmere turtleneck sweater. I scowled. "I am perfectly comfortable as is, thank you."

"Fine, yes, of course." Ferrero hurried back to the couch and sketchpad. "Only thinking of your comfort, cherie."

"Right," I replied.

With my own sketchpad in hand, I sat down on the opposite couch, facing him across the—I shudder to think—black lacquer coffee table.

"Perhaps we should begin by looking at the sketches I have already completed," he offered. When I showed no sign of leaping across the table to sit next to him, he handed me his sketchpad to study. As I flipped through the collection of elegant line drawings, he continued. "These are only rough drafts, of course, but you will see the direction this collection will take."

Every one of the rail thin figures had shoulder-length light brown hair. And green-and-gold hazel eyes. And a heart-shaped face.

"When did you do these?" I asked.

"Yesterday," he looked nervously at his perfectly-manicured fingernails, "after the gala. You inspired me."

"Hmmm." I evaluated the sketches of all these beautiful gowns and sophisticated clothing on models with my features and actually blushed. I handed the sketches back across the table. "The collection is beautiful. What can I do?"

"You," he replied with a beaming grin, "can just sit there and look lovely." When that response earned him a scowl, he added, "And design some equally inspired jewelry."

"Alright. If you sketch, I sketch." Pencil at the ready, I smiled. "We are the same person."

Ferrero smiled in return and we both dove into our sketching.



Three hours later I had initial jewelry sketches for several of Ferrero's designs. At four o'clock, Ferrero threw down his pencil and declared the work day over—although, if I had let him have his Italian way, we would have taken a four hour lunch and worked until six.

"Enough of the work day. I need more inspiration." He looked at me with direct intent. "We must dine. You. Me. And your young man. Tonight."

"Franco"—I was getting used to calling him by his first name after three hours of insistence that I do so—"I don't think Phelps will be available on such short notice."

"Nonsense," he returned with a flick of his wrist. "How can he not have time for his young lady love and his favorite designer?"

"But Franco—"

"First I must rest. We will meet at Charpé"—pronounced Shar Pei, like the dog—"at eight o'clock."

He swept out of the room with a flourish, leaving scattered piles of sketches and fabric swatches everywhere.

Great, I hoped Phelps didn't have other plans.

I dialed him on my cell phone—not willing to examine the state of my social life when a hired escort rates number five on my speed dial—and waited for him to pick up.

"Yo Lyd." He sounded out of breath.

"Is this a bad time?" I asked between his grunts.

My imagination quickly supplied a vivid mental picture of exactly what my timing could have interrupted. Though why a man would answer his phone in the middle of—

"Naw, I'm on the stairmaster. Hold on," he said just before the whirring noise in the background shut off. "What's up?"

"Are you free for dinner tonight?"

"Absolutely," he replied quickly. "When and where?"

I gave him the directions to Charpé. “Be there at 7:30.”

Half an hour earlier than planned, but I figured a guy like Phelps was chronically late.

As I closed my phone to end the call, I caught sight of a cable cozy that disappeared behind a gilded, antiqued armoire that had replaced two of my smaller bookcases. Crossing to the armoire, I flung the upper doors open and found my missing computer.

A whole day without checking email—at least not since leaving home at seven this morning—and I went into sudden withdrawal.

Quickly powering up my desktop, I logged into Outlook and checked my surprisingly few messages. The first was from Jawbreaker.

Lydia,

I have set up a temporary forwarding of the RegionSix@FerreroCouture.com account to Kelly so you won't be bothered with any business duties while working with Ferrero.

If you have time tomorrow, can you meet with Kelly to go over her new duties? She is looking forward to working with you as her mentor.

Janice

That explained the sparsity— sparseness— sparsitude— um, small number of emails.

I could have been really upset. Invasion of privacy and delegation of my duties to a KY and all that. But I had actually—surprisingly—enjoyed spending all afternoon designing jewelry rather than crunching numbers and finessing store managers and tracking shipments and preparing presentations.

Putting that note aside in the mental you-win-some-you-lose-some file, I clicked open my personal email.

One email from Dad.

One email from Bethany.

One email from Phelps.

One email from Gavin.

I knew what the last one would be about—three guesses and the first two don't count—so I sent it directly to the trash can. When he was ready to apologize and return the pilfered candy, then we could talk.

I clicked open the email from Dad.

Hey gumdrop,

Mom just wanted me to remind you about Saturday.

She also wanted me to find out about this guy you're bringing, but I know when you're ready to talk, you'll talk.

Loves and kisses,

Dad

P.S. Bring some of that Peppermint Bark from that hoity toity grocery you like.

Bethany wanted the scoop on the weekend with the hire-a-date. I replied with a quick note that I would call her later.

Now the email from Phelps was unexpected.

Hey Lyd,

Just wanted to say I had fun this weekend. Who knew a bunch of upper crust stiffs could throw such a great bash?

Thanks.

EP

EP? Phelps Elliot? He must have just transposed the letters. In my experience, most men never learned the useful art of typing.

Oh well, I shrugged and shut off the computer, leaving my pondering of the mysterious jungle that is the minds of men to another time. I closed the cabinet doors and rolled the executive chair back behind the desk, the last vestiges of the beauty of what was once my office.

My phone, still sitting on the mahogany surface, blinked blue with the signal of several unchecked voicemails. Certain they were the ones from Gavin that I had ignored that afternoon, I stuffed my phone back into my purse without a second thought. The lovingly protected cover of a first printing of The Federalist Papers stood out against the soft camel leather—camel the color not the animal—of its current home.

Gavin must be suffering knowing that his precious relic was out of the safety of its airtight, UV-blocking, archival velvet-lined case.

Good. He needed to suffer.

I just hoped that scuff on the cover was there when I picked the book up.

Rather than leave the fragile book in my purse to get beat up further, I took it out and set it in the computer cabinet on the shelf above the monitor. It would be safe there. And Gavin would never guess to look there.

Slinging my purse over my shoulder, I headed home to get ready for dinner.



Charpé is the kind of restaurant that puts a lot of stock in atmosphere. Zagat's calls the cuisine Nouveau Chinois, which I took to mean artsy Chinese food, and the décor reflected that premise.

The narrow ground floor lobby was painted bright red, bricks and all, and was about the size of my bedroom. Twin giant white canvases with gold-leafed Chinese characters hung on the two side walls. The only furnishings were the gilded maître d' counter and a long low bench with red cushions along the left wall.

The maître d', a thin Chinese man with straight white teeth and a tendency to lean forward, approached me.

"Can help you, Miss?" he said in heavily accented English.

"Yes, I'm meeting a party—"

"Ah, yes." He smiled and nodded vigorously before I could say which party. "One already here."

I followed him down the steep, narrow staircase to the basement level. Ferrero must have been early.

But as we emerged into the dining area, a warm space with stained cork walls and cozy tables, I saw Phelps already seated at a table for four.

"Here, Miss." The maître d' pulled out the ladderback chair to Phelps' right.

"Tha—"

I started to thank him, but Phelps jumped up and took the chair before I could sit.

"I've got it," he said as he guided me into the chair.

The maître d' nodded and slipped silently away.

"You're late," Phelps admonished as he returned to his seat. He tried to scowl, but still smiled. "Thought you might stand me up."

"It's only 7:45."

"You said 7:30."

I couldn't stop the blush that burned my cheeks. "Yeah, well, I thought you—"

"You thought I would be late." He leaned close and whispered, "I'm never late for shoots or beautiful women."

"Phelps, you don't have to—"

"Good evening, my muses," Ferrero boomed, interrupting me before I could explain to Phelps that he didn't need to feign attraction when no one was around.

"Ferrero," Phelps stood and extended his hand, but kept his surprised eyes trained on me, "I had no idea this was a business meeting."

Oops. I guess I had forgotten to mention that Ferrero would be at dinner.

"Not business." Ferrero gave his hand to Phelps like a queen presenting her ring to be kissed. "Such an ugly, uninspiring word. No one shall utter it again in my presence."

Phelps and I exchanged a what's-up-with-the-crazy-artist-guy look, but he sat and I smiled prettily.

"Very well, Franco," I replied. "What shall we talk about?"

Ferrero ignored my question and waved the wine steward over. "We are ready to order," he said, not having looked at a menu. "A bottle of Louis Jadot Beaujolais. A vegetarian Springtime Roll appetizer. Three Sum Dim Da platters. And a black bean ice cream tart."

The wine steward looked like he was trying not to explain that he was not a waiter, but decided Ferrero was an important customer and simply smiled and walked away. I watched as he found our actual waiter and relayed the meal order.

Then, just as I turned back to the men seated on either side of me, a high-pitched, Jersey-accented, female voice shouted, "Frankie?" The voice grew louder as she drew closer. "Frankie Farris?"

A woman, hair teased to unnatural proportions, eyes caked with a rainbow of colors, and legs tightly wrapped in black spandex, walked up to our table as sat down.

"Frankie Farris as I live and breathe, it is you."

Ferrero, his face drained of all color, shook his head vehemently as his mouth gaped open-shut like a beached flounder.

The woman plopped her purse on the table and pulled out a thick billfold full of picture sleeves. After flipping open to a picture, she held it up to Ferrero and thrust it in my and Phelps's faces.

"This was us senior year. At the Boardwalk in Atlantic City." She looked at Ferrero with batting eyelashes. "We were one hot item, eh Frankie?"

Ferrero looked mortified.

Or embarrassed.

"I'm afraid you have mistaken me," he finally said, looking around the restaurant for salvation.

"Frankie, it's me." The woman pointed ten claw-like red fingernails at herself. "Marcy. Marcy Russignola. From Bay Shore High."

Like a trapped animal, Ferrero stared at her with eyes wide and unable to speak.

Now this may not have been incontrovertible as far as evidence goes, but I felt pretty certain that my earlier doubts as to Ferrero's country of origin were well-founded. What a scandal. Franco Ferrero, designer to the stars, was really Frankie Farris from Bay Shore High.

This was the kind of scandal that could ruin a career.

No Hollywood ingénue wants to be dressed by a Jersey native. They want to wear Italian. Or French. Or even British. But not Jersey.

Ferrero was speechless. I was speechless.

Thankfully, Phelps came to the rescue.

"Marcy, so nice to meet you." He stood and took her hand, planting a charming kiss on her frighteningly manicured fingers. "Please, join us for dinner."

Marcy flushed, a little embarrassed herself. "Oh, well, I came with someone," she stammered. She looked across the room at the table she had come from. "My husband. It's our anniversary. thirty-five years."

"Congratulations." Phelps followed her gaze to the table and smiled at the older man sitting alone and waiting. "Don't let us keep you from your celebration. Enjoy your special night."

He kissed her on both cheeks and somehow she headed back to her table without the whole world of scandal erupting around us.

The wine steward arrived and took his time pouring three equal samples, then, after our hearty approval, three full glasses of the sweet red wine. By the time he left, our table had come to an unspoken understanding that Marcy Russignola was not to be discussed.

At one point, when I returned from the ladies' room, I saw Phelps smiling at Ferrero as the wine steward walked away. A few minutes later the steward delivered a bottle of champagne to Marcy and her husband. They raised a toast in our direction.

Marcy might not have to reconcile Frankie Farris with fashion great Franco Ferrero, but I knew I would never be able to forget.

Even if we did continue to pretend that Marcy must have been mistaken and Ferrero's frequent slips in accent were auditory anomalies.



After dinner Phelps insisted on seeing me home.

Even though the restaurant was on the same end of town as his apartment. Even though his apartment was either a very long subway ride or a very pricey cab ride from mine.

No protestations on my part would stop him, so when we stepped out into the night I moved forward to hail a cab.

"What are you doing?" he asked.

I raised one brow in sarcastic surprise, thinking the answer was obvious. "Getting a cab."

"Why?"

Again, obvious. Maybe I was missing something. "So I can get home?"

"I mean why a cab?" He pulled me back onto the sidewalk and out of cab-calling range. "There's a subway stop two blocks away."

"I don't take the subway."

He frowned like I had just recited the Presidents of the United States backwards. Which I can do, by the way.

"It's dirty and dangerous and unreliable," I explained. And then, because he wasn't responding and because I felt the need to defend my opposition to mass transit, I added, "And there are drug dealers and gang-bangers and—"

"Have you ever been on a subway?"

"No, but—"

"Come on." Phelps grabbed me by the hand tugged me into a trot down the sidewalk.

He had the same look in his eye as when he pulled up in front of Jawbreaker's on Daffy. I was immediately suspicious.

"Where are we going?"

"On the A Train."

Thursday, November 4, 2010

Dog Gone Crazy

On Saturday, Daisy got a bath. On Tuesday, she ran away. (Don't worry, she didn't get far and she's safe at home now.) This is how things went:

10:18 a.m. Daisy and I walk my mom out to my car so she can drive to Oklahoma City for the day. She's busy putting her things in the car. I'm busy watching her and snuggling into my fleece robe.

10:19 a.m. Daisy spots a cat in the middle of the street.

10:19:01 a.m. Daisy takes off across the street after the cat.

10:19:02 a.m. Daisy disappears into the woods across the street. My mom tries to sound the alarm on my car--as if that might get Daisy's attention, but it wouldn't. I take my keys and rush around to the driver's door. I twist my ankle and drop to the ground. I pull myself up and into the car. With a throbbing ankle, I back out into the street and start honking my horn--as if that might get Daisy's attention, but it doesn't. I pick up my mom, who is wandering up the street, looking for long gone Daisy.

10:20 a.m. We pull out onto the busy street connected to ours and drive in the direction Daisy ran. Windows down and calling her name, Mom spots her sniffing around in the first farm down the road. My mom gets out of the car and shouts for Daisy, who finally looks up and, realizing what she's just down, kind of cowers. I wonder why she looks black from the belly down.

10:21 a.m. Mom chases Daisy, who is covered with pond muck, toward the car. I yell to open the back door so the passenger seat doesn't get drenched in sludge. Daisy bypasses the doors and heads around the front of the car--into the line of traffic. Mom catches her and drags her to the back seat.

10:22 a.m. After a brilliant u-turn in the street, I drive home and pull into our driveway. I stay in the driver's seat to keep Daisy from jumping into the front while Mom goes to get her out through the back door. Daisy, certain now that she is in B-I-G trouble, flees into the way back. When I get out and go open the rear door, she leaps back into the front. We finally get her out and send her toward the side door from the garage into the back yard. Daisy bolts through the open door leading into the house (remember this fun fact for later) and jumps, mucky-feet-first, onto my favorite throw.

10:23 a.m. We send Daisy into the back yard and call PETCO to schedule another bath. I change out of my robe and pajamas into real clothes, pull a brush through my hair, and grab my writing gear.

10:24 a.m. While I sit in the driver's seat of the van, Mom drags the dog through the garage and to the passenger side, to the towel-covered seat.

10:33 a.m. I drop Daisy off at PETCO and go write.

1:37 p.m. I pick Daisy up at PETCO and get her a new tag engraved with the Stillwater address--just in case. I also got her some new tennis balls, which she always loses, and a green fuzzy wiener dog.

2:21 p.m. Back home, I replace Daisy's tag and give her the wiener dog, which she drags into the living room. I grab my alphasmart and my iced green tea and head for the recliner, ready to download the day's writing and keep my ankle elevated.

2:22 p.m. As I walk up to the recliner, I see a furry orange face peeking around the corner from the hall to my parents' bedroom.

2:24 p.m. I process the fact that there is a cat--A CAT!--in our house.

2:25 p.m. I grab the dog by the collar. The cat dashes behind my dad's desk. Dragging the dog behind me, I open the back door. When I pull the dog to the side, the cat darts out the door.

2:26 p.m. I slam the door and throw the deadbolt.

I seriously could not have made this up. There is a new rule in the Childs household: Daisy does not get to go out front without a leash. I swear, when she took off after that cat, her eyes and nose took over. A barrel of fireworks could have gone off and she wouldn't have noticed. And, while you have to admire that kind of focus, I really don't want to repeat this adventure anytime soon.

Hugs,
TLC

Wednesday, November 3, 2010

Thalassinian Fan Art

Ever wondered what Thalassinia might look like? All that turquoise water, coral reefs, and floaty mermaid? Well, thanks to the wonderful Alex of Electrifying Reviews (check out his header and you'll see a familiar cover face...) you can get a pretty good idea.


Doesn't this just make you want to kiss a mermaid (or merman) so you can slip under the sea? Gorgeous, Alex, just gorgeous. Thank you for sharing!

Hugs,
TLC

Tuesday, November 2, 2010

Fear in Writing

Yesterday I started a new book. There is a very particular reason I chose this book for my first ever NaNoWriMo. I have been thinking about this book for a couple of years, but never really felt ready to begin. You see, it's a story that is very personal and very emotional for me and all this time I've been afraid of not being writer enough to do the story justice.


Fear can be a debilitating thing. As I sat, staring at my alphasmart yesterday, my mind wanted to do anything but fill the screen with words. I went over all my notes. I made a colorful act structure diagram. I checked my email. A lot.

At some point, I realized that if I wanted to win NaNo (and I do--not only to finish this book, but also to get the 50% coupon for Scrivener) I would actually have to write the book. Once I pushed past that initial fear, the words started flowing like they usually do.

In real life, we either seek fear (by jumping out of airplanes and watching scary movies) or run away from it (as in bears, drowning, and men with bloody cleavers). But as writers, as artists, we walk into the fear. We take it in our hands, study it, dissect it, and put it back together in a way that is (hopefully) meaningful for other people to read. For us, fear is a good thing. Fear drives us to write better, to make this book an improvement over the last, to strive for the ever-elusive perfect book. To write a book worthy of the story in our minds.

Today, NaNo helped me push through the fear to write the book I'm afraid to write. And I'm using that fear to make every word better.

Do you have writing fear? Where does it come from? How do you get past it?

Hugs,
TLC